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Why Alina Szapocznikow Turned Womens Bodies into Household Objects

Why Alina Szapocznikow Turned Womens Bodies into Household Objects

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Why Alina Szapocznikow Turned Women's Bodies into Household Objects

Alina Szapocznikow

Alina Szapocznikow, Cendrier de Célibatair I (The Bachelor's Ashtray I), 1972.

Alina Szapocznikow, Ceramika II (Ceramic II), Ceramika I (Ceramic I)

Why Alina Szapocznikow Turned Women's Bodies into Household Objects - Artsy

Why Alina Szapocznikow Turned Women's Bodies into Household Objects - Artsy

Alina Szapocznikow, Herbier Bleu I, 1971. Courtesy of The Estate of Alina Szapocznikow

The artist posing amidst her work in her Malakoff studio, 1967, with Çacouleenrouge (

The Polish artist, who died in 1973 at the age of only 47, has suffered decades of obscurity outside her native country despite widespread popularity in her ...

Alina Szapocznikow, Tumours Personified, 1971. Courtesy of Zachęta – National Gallery of Art

1962 Alina 25 05 11 105556

Alina Szapocznikow, View of Piotr, in 'Alina Szapocznikow: Human Landscapes', 1972

Multiple Portrait - Alina Szapocznikow

Alina Szapocznikow, View of Illuminated Lips, in 'Alina Szapocznikow: Human Landscapes', 1966

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Alina Szapocznikow in her studio in 1967. Photograph: ADAGP,

001 Alina Szapocznikow in her studio, Malakoff, France

Alina Szapocznikow

Alina Szapocznikow ze swoją rzeźbą „Derwisz“

Alina Szapocznikow's Sculptures at MoMA

Alina Szapocznikow timeline

Fleur

FIANCÉE FOLLE MARIÉE by Alina Szapocznikow

Alina Szapocznikow, First Love, 1954. Encrusted plastic cement

But as the political landscape changed and pressures on artists lessened, Szapocznikow's output became looser, more expansive. In 1963 she returned to Paris ...

Akward Objects

Alina Szapocznikow: Sculpture Undone 1955–1972

Alina Szapocznikow archive Louise Bourgeois, Art Studies, American Artists, The Collector, Sculpture

Body shock: the intense art and anguish of sculptor Alina Szapocznikow | Art and design | The Guardian

Alina Szapocznikow. Petit Dessert I (Small Dessert I). 1970–71.

Szapocznikow

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Alina Szapocznikow and her “Grands ventres”, ...

Alina Szapocznikow Art Studies, Objects, Sculpture, Lady, Artwork, Fictional Characters,

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Alina Szapocznikow, Illuminated Woman, 1966–1967, plaster, colored polyester resin,

Alina 13 04 11 99380

Alina Szapocznikow, View of Tumours Personified, in 'Alina Szapocznikow: Human Landscapes', 1971

Kelly Zelen, Nobody Puts Baby in the Corner

... but also of her own body, related to her traumatic experiences during the Second World War as a Polish Jew, imprisoned for over 10 months in Auschwitz, ...

Body shock: the intense art and anguish of sculptor Alina Szapocznikow | Art and design | The Guardian

Alina Szapocznikow: Documents. Works. Interpretations.

The Polish artist, who died in 1973 at the age of only 47, has suffered decades of obscurity outside her native country despite widespread popularity in her ...

Alina Szapocznikow .The artist at home in Malakoff Paris 1967

Imagen: cortesía de Paul Kaptein.

Alina Szapocznikow, Photosculptures (detail), (20 photographs, 1971). Image

Body Traces Alina Szapocznikow at the Tel Aviv Museum of Art

Alina 23 06 11 107601. Alina Szapocznikow ...

The Polish artist, who died in 1973 at the age of only 47, has suffered decades of obscurity outside her native country despite widespread popularity in her ...

Alina Szapocznikow

After spending many months in sanatoriums, she is cured in spring 1950 with an experimental antibiotic treatment (Streptomycin).

Alina Szapocznikow: Sculpture Undone, 1955-1972, Museum of Modern Art, New York

Courtesy of the Estate of Alina Szapocznikow, Piotr Stanislawski and Galerie Loevenbruck, Paris. Photograph: Fabrice Gousset.

One of the 20 images of chewing gum in “Photosculptures,” a 1971 portfolio by the Polish artist Alina Szapocznikow. Credit Broadway 1602

Selected works from the exhibition

Posted on January 29, 2018 January 31, 2018 by melissabudasz

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... farther than that: they were interested in the process of the creation of media presence and myth. They ask what happens when personal memory turns into ...

Head ashtrays and pin-up body parts – Alina Szapocznikow: Human Landscapes review | Art and design | The Guardian

Alina Szapocznikow, Sculpture-Lampe [Sculpture-Lamp], 1970. Coloured polyester resin and electrical wiring

#szapocznikow

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Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee

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Also on view Alina Szapocznikow, Hannah Wilke November 23, 2013 – January 17, 2014. Main Gallery

Szapocznikow's sculptures combining body parts with everyday objects can be creep-show unsettling, like Lampe & bouche (Illuminated Lips) (1966).

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Femme de ménage [Cleaning Woman], 1965

... anthropomorphic landscape where the female body is reduced to a land of mounds, valleys and caves. Alina Szapocznikow documented her own body early in ...

Alina Szapocznikow, "Illuminated Lips", since 1966, dyed polyester, electric light

Alina 13 04 11 99584. Alina Szapocznikow ...

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Alina Szapocznikow: Sculpture Undone: 1955 - 1972: Amazon.co.uk: Elena Filipovic, Joanna Mytkowska: Books

Alina Szapocznikow Alina Szapocznikow at Hammer Museum Contemporary Art Daily

Though influenced by artists gathered around Pierre Restany and the Nouveaux Réalistes, such as César and Niki de Saint Phalle, Szapocznikow developed a ...

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Alina Szapocznikow (1926-1973)

Alina Szapocznikow, Autoportrait I, 1966. Marble, polyester resin. Private collection.

Alina Szapocznikow

Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee

Why Alina Szapocznikow Turned Women's Bodies into Household Objects

Installations Fiancée folle mariée, 1971 and Fiancée folle blanche, 1971. WIELS Contemporary Art Centre, Brussels, 2011 photo: Filip Vanzieleghem

What would Gian Lorenzo #Bernini say about #Szapocznikow sculptures"? A challenge exists today to re-educate the public on the standard of artistic beauty ...

Alina Szapocznikow: how one sculptor turned Holocaust atrocities into devastatingly beautiful art — The Calvert Journal

Alina Szapocznikow, Sculpture-Lampe, 1970, Coloured polyester resin and electrical wiring 54

View of “Revolution in the Making: Abstract Sculpture by Women, 1947–2016.” Hauser Wirth & Schimmel, Los Angeles. Courtesy the artist and Hauser ...

Announcements ...

Alina Szapocznikow, Belly-Cushions, (polyurethane, 1968). Image from the

photo Jan SmagaIn Souvenir I, Szapocznikow ...

Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann & Anicka Yi

Alina Szapocznikow, "Krużlowa" (Maternity), 1969, assemblage: dyed polyester. "

Alina Szapocznikow - Awkward Objects (Museum Under Construction)

What would Gian Lorenzo #Bernini say about #Szapocznikow sculptures"? A challenge exists today to re-educate the public on the standard of artistic beauty ...

'An age riven with contradictory impulses'